Did you know that my hometown of Pittsburgh has a “national anthem?”
Yes, we do. It’s called “Sugar,”
the title tune from an album released in 1970 on CTI Records by tenor
saxophonist and composer Stanley Turrentine, a native of the city’s Hill
District. It’s referred to colloquially as a “national anthem” because
literally every jazz musician here, myself included, can play it in his sleep.
(Indeed, the day he died in 2000 — and I co-wrote his obituary in the Pittsburgh Post-Gazette — a bunch of us
“cats” appropriately closed a jam session at a local club with that tune in
tribute.)
I was reminded of that when
certain folks decided that they would boycott the Super Bowl, being played
tomorrow, over the performance of the “black national anthem,” claiming by
doing so it would spark racial division. But if anything, it would highlight
the division that has always existed but that some folks have refused to
acknowledge.
The name of the song, more
accurately the hymn, is “Lift Ev’ry Voice and Sing.” The words were written by
James Weldon Johnson, an officer in the NAACP, and set to music by his brother
J. Rosamond Johnson in 1899 — that’s right, at the turn of the last century —
and have been sung in most black churches ever since. In that context it might
be considered a “national anthem,” understanding that the phrase is a figure of
speech for a piece of music that people of a certain culture would know because
they grew up with it — including the two-thirds of National Football League
players who are black. (Ray Charles even recorded it over 50 years ago for the
album “A Message from the People” — the same album as his classic rendition of
“America the Beautiful.”) Indeed, if you ever listen to the words, they express
not only a greater degree of pure patriotism than “The Star-Spangled Banner”
but also a sense of hope for the future — and, for people who believe in God, a
reference to Him.
The playing of the hymn at NFL
games thus started in response to not only the Black Lives Matter protests of
the summer of 2020, which President Trump wanted to send in active military
troops to shut down; but also then-San Francisco 49ers quarterback Colin Kaepernick’s
“taking a knee” in protest of police brutality in 2017 (which caused Trump to
refer to him and other protesters “[S.O.B.’s] who should be fired”). And that
wasn’t the first time something like that had happened — you may recall the
football players’ threatened strike against the University of Missouri in 2015,
which resulted in the resignation of both the president and chancellor for
doing little or nothing to discipline those who smeared feces on the school’s
black cultural center.
Clearly, a certain segment of
America believes that the collective voice of black America should be silenced,
witness Trump’s attempt to eliminate Diversity, Equity and Inclusion programs
in the federal government and that filtering down into private enterprise. And
that wouldn’t be news, as at the time of his death Martin Luther King Jr. had
only about a 15 percent approval rating and other civil-rights leaders are
similarly denigrated to this day.
If there’s a problem here, it’s that the term “national anthem” for “Lift Ev’ry Voice and Sing” is often capitalized, as though it’s a separate anthem for just one race or ethnicity. That’s not the intent — it’s simply a hymn with a great deal of meaning to the black community.